![]() Watch the front page for the link as soon as it is available. Version 1.2 of the EOS Movie Plug-in-E1 for Final Cut Pro will be available to download for free on April 25, 2011. The updated version will make this process easier and allow users to import files from any folder “without needing to mirror the folder structure on the camera itself.”Īlthough many FCP users have developed a consistent workflow to accommodate this file structure when importing Canon EOS movie files, it will be a welcomed change to take this superfluous step out of the workflow. One of the previously frustrating features of the plug-in is that you have to maintain the folder structure of the CF card on which the files were captured – even if you move the files to your hard drive before you import the footage. The plug-in works with files from the Canon 1D Mark IV, 5D Mark II, 7D and 60D. Timestamps:00:24 Speeding Up03:14 Slowing DownYou can find additional and/or newer tutorials for Twixtor in Final Cut Pro here. ![]() It transcodes the files to Apple ProRes 422 much quicker and easier than using MPEG Streamclip, which is what we used before the plug-in originally came out. If you aren’t familiar with the plug-in, it aids with importing. ![]() Resulting in a far better interpolated image.Ahead of NAB 2011, Canon has announced an update to the EOS Movie Plug-in-E1 for Final Cut Pro. In part 2, Elliott explains Twixtor Pro and how you can take advantage of open and closed masks to help calculate where the pixels should move frame to frame. 60p, 60i or if you are using a 5D Mark II use 30p The more frames Twixtor gets to play with, the better! Also, use the highest framerate setting on your camera possible e.g. In the first part of the tutorial Elliott demonstrates the main principles of of Twixtor which you can apply to any video, and how to tidy up any unwanted warping.īefore you start, for best results use a shutter speed that will match your final framerate to avoid blurry slow motion. Elliott wanted to share his knowledge of Twixtor so that everyone could benefit from getting the best results out of this extremely powerful program. But using some basic camera techniques and Twixtor settings, we were able to obtain a beautiful and clean slow motion effect free of warping. So using slow motion software such as Twixtor, it’s hard to escape the common warping artefacts. These elements (fire and water) are by far the hardest things to interpolate and predict. In Elliott and my short film Incendium, we wanted to show fire breathing in beautiful slow motion with the fire illuminating a nearby water fountain. For most of us the price of buying or even renting a high speed camera is by far out of reach. This means less tearing and stretching of objects as they cross or go out of the frame. Twixtor is much more accurate, tracks objects farther, and exhibits fewer artifacts when there are objects crossing in the scene. Twixtor raises the bar in motion estimation. In the video DSLR era, slow motion has become extremely popular. Twixtor intelligently slows down and speeds up your image sequences. Thanks to Danny Cooke for this guest blog post! It’s tricky to get right as you need to shoot a certain way and do a fair bit of post…but the results can be amazing. 60FPS is the most we can get out of our cameras generally. There is nothing better than capturing at 2564 frames per second like you can on a Phantom (check out my mini doc with Flex footage here!) but that is out of the price range of most of us.
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